Friday, November 24, 2006

African Silks

Silk in Africa
by Chris Spring, Julie Hudson
Editorial Reviews

From Booklist
There is no better authority on world textiles than the British Museum. The transformation of that expertise--and the accompanying visuals--can be found in the latest entry in the Fabric Folios series. The formatting is this: first, an introduction to the history, tradition, textiles, and decorative motifs in Africa and then100 or so actual all-in-color samples. Desert countries emphasize the luxuriousness of silk in much more complicated hues and decorations than those south of the U.S. border. All illustrations are well labeled with dimensions and descriptions a glossary and bibliography wrap up these very accessible introductions to ethnic fabrics. Selected reading and museum accession numbers are appended. Barbara Jacobs
Copyright © American Library Association. All rights reserved

About the Author
Chris Spring and Julie Hudson have both traveled in Africa and are the joint authors of North African Textiles. They are curators in the Department of Ethnography at the British Museum.

Book Description
The rich and diverse range of silk textiles from Africa are an unexpected revelation. This book focuses on over 30 pieces from the British Museumís spectacular collection, bringing together for the first time the highly distinctive traditions of silk weaving and embroidery from throughout the African continent. These range from textiles commissioned by royalty and high-ranking officials, such as the striking cloths of the Asante from Ghana or gowns from Ethiopia encrusted with gold, to less prestigious but no less glorious pieces, such as a multicolored Merina burial shroud from Madagascar. As a pattern source the book provides inspiration for striking color and tonal combinations as well as myriad ideas for using stripes, geometrics, and stylized figurative motifs.

In their stimulating introduction the authors discuss who made the textiles, how ideas traveled across the continent, and the significance of pattern and symbolism. In addition, all the principal techniques are explained, while brief commentaries highlight the design features.

No comments: